B.A. (Hons.) University of Ballarat, 2008.

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Artistic Vision

I began painting abstracts as a mature age student  in 1996 to loosen up my work and to learn to use my imagination after drawing portraits as a child.

I found the surrealist Manifesto about ‘Mark Making’ while studying and found by making marks combined with the use of color, my ideas could begin to take shape and the marks open up a genuine dialogue for me. This form of visual communication has led to some unique compositions.

I paint in oil and acrylics, and have used gestural line with the interest of developing an illusion of depth and space, and have experimented  with my choice of colors to help me achieve that goal and found this to be an authentic approach.

As I work my way through a painting, the colours help create their own meaning. I paint my compositions live, allowing some drying time, without preparing any formal ideas. I love the freedom of painting abstracts, but have learnt that it takes work and dedication. The paintings do not always work the first time although my approach is more deliberate than it was, as I’m increasingly informed by my past composition experience.

 I like paint to behave as paint, so I like the rough, untidy, gestural and spontaneous brush strokes. And I have recently begun to use a palette knife to apply the paint. I enjoy the magic that seems to come about as I work.

Having recently returned to portraiture and continuing with  abstraction I found mark making, line work and use of colour have sometimes led me through my own history, loves, life and beliefs.

– By Dawn Lim, August 2015

Life Influences

Born in London’s Islington in 1949, Dawn Lim spent most of her childhood with her Grandparents in London. Though she has a vivid pictorial memory, the urban landscape there did little to inspire her. All she recalls is buildings that cut off the sky.

At the tender age of 4 Dawn discovered her observation skills and early talents as an artist. Being self-taught, Dawn’s initial drawings were portraits, and she went on to develop a great appreciation for realism.

The very first person she remembers drawing was a Chinese character from the new invention of Television. She figures this is probably why she later fell in love with her Malaysian-Chinese husband Chai. As a young girl, Dawn drew countless people, mostly neighboring children, as well as dogs and horses. She loved the feel of graphite on paper and the feel of oil paint gliding on  canvas  and the way it blends 

Soon after arriving in Melbourne, Dawn met her future husband, Chai Chin Lim, and in 1979 they married in the New Zealand Temple of the Church of Jesus Christ of Latter Day Saints. Dawn and Chai lived in Melbourne for a while and moved to Amphitheater in the Pyrenees Shire 1989. It was Chai who encouraged her to attend University, and their union has been a great blessing in her life. They moved to Ballarat in 1993, so Dawn could study but  have recently  returned to the Pyrenees shire where they reside in the township of Moonambel.

Dawn graduated with a Bachelor of Arts (majoring in painting) in 1996, at the University of Ballarat. Being a mature age student, this qualification was a real highlight for her, and opened up the pathway for a new beginning professionally. She went on to achieve a scholarship to undertake her Honours year in 2008. By September 2013, Dawn had multiple digital works on show in New York City and at Scope Miami., and received various offers to show her work around the world.

Dawn finds it helpful to pray before she works. She believes that God’s gift to us is life, and that our life’s experiences are for our own benefit, and that our gift to God is what we do with our lives and the talents he gives us.

Dawn is committed to working privately in the arts, exhibiting and teaching.

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